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br No one will be neutral about IPlunkett Macleane/I. Either you go with its notion of cheeky, stylish fun or you want to grab first-time director Jake Scott by the ear and slap him silly. p Your inclination may depend on whether you recall his dad Ridley’s own directing debut, IThe Dullists/I (1977), and savor the correspondences. Dad took a Joseph Conrad tale of the Napoleonic Wars, cast it with the ultra-contemporary Keith Carradine and Harvey Keitel, and filmed it with a swoopingly mobile camera. Son Jake has made a feisty period piece about a pair of thieves (Robert Carlyle, Jonny Lee Miller) in 1748 London and filled it with blatant anachronisms. A decadent aristo (Alan Cumming), asked whether he “still swings both ways,” replies, “I swing Ievery/I way!” A ballroom full of revelers dances the minut (or is it the gavotte?) while our ears–if not theirs–are filled with a rock ballad. And so forth.p Is this sophomoric? Maybe. But it’s also often fresh and inventive. Why shouldn’t a filmmaker be allowed to speak directly to a contemporary consciousness, even flaunt it, as long as he also delivers startling imagery and convincing period detail? The solid cast includes Michael Gambon as a corrupt magistrate, Ken Stott as a very nasty enforcer named Mr. Chance (who favors a thumb through the eye socket and into the brain as a mode of execution), and Terence Rigby as a philosophical jailer; even Liv Tyler looks more interesting than usual. IPlunkett Macleane/I is in the end pretty frivolous, but it’s a lively debut nonetheless. I–Richard T. Jameson/I
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brPlunkett Macleane was congenial! You have to come alive this movie! A supereminent performance by Jonny Lee Miller Iain Robertson make Plunkett Macleane a “ought to be apprised of” movie!
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brThe extraordinary cast includes Jonny Lee Miller, Iain Robertson, Robert Carlyle, Ken Stott, Tommy Flanagan. This cast just make Plunkett Macleane the more eye-opening!
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